Museum

Among one of three of Dottie's most expensive Bob Mackie costumes, costing $6,000+, this outfit was versatile because it could be worn with the spandex pants and boots or with a full length ivory skirt for more formal occasions. An ivory jacket with peach/pink/silver sequined scattered floral accents, matching scalloped shell, peach spandex pants with floral accents and matching peach boots with floral accents. Option of solid ivory skirt. As with all of Dottie's Mackie costumes, the boots featuring a silver heel, were made by Pasquale DiFabriziol.

A yellow off-the-shoulder blouse with sunflower accents, scalloped sleeves and matching boots with sunflower tassels down the sides. Option of a solid yellow full length skirt or yellow spandex pants. Designed by Bob Mackie for Dottie.

Early 1980's stage outfit designed by Suzy Creamcheese and used for tours and an appearance on the 1982 CMA awards broadcast. Beautiful black top with matching skirt. Both pieces are made of black satin and encrusted with sequin and rhinestone trim. The jacket is tailored with a V neck and V shaped design trim cascading to the waist. This form fitting outfit was perfect for her new image as a country glamour queen. Interestingly, Dottie wore the blouse frontwards sometimes and backwards others. It's on display in the Willie Nelson Museum now. The skirt has been lost.

A green/blue Bob Mackie off-the-shoulder blouse with scalloped edging around the neckline, waistline and empire sleeves. Option of a matching green scalloped knee length skirt or green spandex pants with solid leather dark blue green boots. As one of her earlier Mackie creations, it was among her favourites. Dottie wore this sometimes with denim jeans, the skirt designed to go with it or a completely different skirt or even the signature spandex pants Mackie included with his outfits for her. This was one of three off-the-shoulder designs that Bob made for her and certainly one of his most memorable given how many times she wore it.

Long sleeve white spangled silk top with gathered waist. Bejeweled with strains of silver and white beading that glistened in the spotlighting. Dottie would often wear this blouse with silver spandex pants and a matching belt on concert tours. A sexy new image as she shed her gingham dresses. The pants and boots were also worn on the back cover of her "Wild West" album with a white fringe sheer blouse she purchased at Giorgio in Beverly Hills and her gun holsters.

All black, high-necked fitted bodice with narrow sleeves and a great deal of glimmering beadwork. Beneath it, the ankle-length skirt sported a confusion of pleats and still more beads.

Another Bob Mackie creation for Dottie. A brown/gold sequined sheer long sleeve top with wheat accents, belt tassels, brown spandex pants and matching brown boots with wheat accents. The boots were also designed by Mackie but made on Rodeo drive by Pasquale DiFabrizio.

This silk suit is a custom piece by an unknown designer that Dottie wore at various times throughout the mid-late 1970's at various functions, including the Shenandoah Apple Blossom Festival in Patsy Cline's hometown of Winchester VA. It became a staple of Dottie's personal appearances in the mid-late 1970s. She attended as a guest celebrity along with Elizabeth Taylor and Tom Bosley. She also did a photo-shoot for "Country Music" magazine where she was actually the centrefold in the issue that had Charley Rich on the cover. Notably, this outfit was worn in the photo-shoot for the "Every Time Two Fools Collide" album with Kenny Rogers. Dottie can be seen wearing this without the hat on the album's back cover. The hat was obviously a favourite, as she occasionally wore it without the outfit, including during a photo session outside of Giorgio Beverly Hills in front of her tour bus.

Denim became one of Dottie's signature looks in the mid-70’s and this is a custom piece where Dottie has added floral appliques and later, rhinestone embellishments. It was one of her favourite pieces during that period. Though shown here with the halter top, which Michelle Lee wore in "Big Dreams and Broken Hearts: The Dottie West Story". Dottie normally wore a button-up blouse underneath for a more conservative look. Dottie wore it in concert through the mid-70’s, on "Grand Ole Opry" appearances, at the Winchester Apple Blossom Festival (where she was photographed with Liz Taylor) and for an appearance on "The Marty Robbins Show". Denim was one of Dottie’s signature styles during her career, as were calico, gingham, spandex and, of course, high designer fashion.

This top and neck tie piece was designed by one of Dottie’s favourite designers at the time, Halston. She first wore it when she started touring with Kenny Rogers but also wore it when appearing on the "Mike Douglas show". This zip-up jacket was also designed by Halston and worn by her on numerous occasions in the late 70’s.

This beautiful copper suit is believed to be a custom piece for Dottie and was worn many times on stage and in television appearances during the late 1980s. Dottie often paired this with her black digital fashion watch encrusted with aurora borealis rhinestones.

A turquoise/gold/copper cape with a sun spire design across the back and matching shell top. Tasseled rope belt. Solid turquoise spandex pants. Turquoise boots with sequin designs. Option of full-length skirt. The matching boots were made by Pasquale DiFabrizio whom Mackie had commissioned to produce all of Dottie's onstage footwear. Worn with Larry Gatlin at the 1981 ACM Awards, where he won for his album "Straight Ahead" Dottie and Barbi Benton presented. Exactly 15 years later, he broke down in tears at the sight of Michele Lee wearing this outfit in a scene with him in the "Big Dreams and Broken Hearts: The Dottie West Story" movie. As a variation, Dottie often substituted the cape and halter for a black velvet top with sequins on the shoulder area designed by Suzy Creamcheese with the pants, boots and belt in place of the sun cape and shell on the back cover of her "New Horizons" album and many times throughout her career.

Dottie always knew the best designer labels and Andre Van Pier was certainly one of the best. His pink satin blazer with yellow lining was a favourite of Dottie's in her final years. She usually wore this with her favourite acid wash jeans, blue camisole, fashion watch, and yellow leather sling back high heels or yellow Mackie boots. This jacket was worn by her on various "Grand Ole Opry", "Nashville Now" and "Crook & Chase" TV appearances, but was also the jacket she wore the day that her mansion was auctioned off on national television on the steps of the Williamson County Courthouse.

Although not a stage piece, this is a Giorgio Beverly Hills sweater probably purchased on Rodeo Drive, Los Angeles (a favourite destination of Dottie's) in the late 1970's or early 1980's. Dottie is featured wearing it in a 1980 photo by Les Leverett reviewing a scrapbook that Patsy Cline gave to her only months before her death. Dottie was very involved in contributing to Ellis Nassour's biography, in which she wrote the foreword. “Honky Tonk Angel” is today considered as the definitive Cline biography.

A fuchsia rhinestone cape and matching shell with fuchsia spandex pants with rhinestones and fuchsia Di Pahrizio boots. Option of a matching solid fuchsia full-length skirt. She rarely wore the skirt with this. The outfit was one of Dottie's favourite Bob Mackie creations for her, evidenced by the fact she wore it from 1979 until her passing. It's now in the collection of the Country Music Hall of Fame.

Around 1988 or 1989, Dottie sent daughter Shelly to Nashville to look for several dresses for her to wear on an upcoming trip to Los Angeles where she was going to film footage for Kenny Rogers’ upcoming tour. The video to be filmed would allow Dottie to be shown onstage with Kenny via a video screen to sing "All I Ever Need Is You" during his live concerts. Shelly brought back 3 dresses and this is the one she picked. Dottie wore it in the video for Kenny's tour, but also onstage from 1989 through 1991. This included a Bob Hope Charity Event in Texas in 1990 where she was photographed with Garth Brooks and Lulu Roman. She again wore it during a Country Music package show aboard a cruise ship to the Bahamas that included other Country Music celebrities. Made by Cache, it became one of her favourite pieces to wear in her final years.

Designed by Suzy Creamcheese, this white crochet prairie dress with a scoop neckline. It’s embellished with pink and green embroidered rosettes on the bust and chevrons on the bodice, flowing into a lace skirt. It is currently on display at the Heart Of Texas Country Music Museum

A white/silver sequin-encrusted jacket/blouse with long silver arm strands with ostrich feather ends. White sequined pants and matching boots with jagged "icicle" accents spilling out. This is probably her most favorite and most expensive Bob Mackie costume. Now housed in the permanent collection at the Country Music Hall of Fame.

This lace top that Dottie wore both with her white tuxedo on the "Circus of The Stars" and the "American Music Awards". She also wore it without the tuxedo. From 1982 until the end, Dottie wore many lace pieces like this one.

Dottie wore this stunning off-the-shoulder, royal blue heavily pleated floor-length satin dress over which a low-cut white lace bodice flowed. Narrow strips of lace connected a very wide white dripping lace border. At her waist, in front center, she wore a large white silk rose nestled in pleated lace for the “Academy of Country Music Awards” in 1983.

This one of a kind jacket was a favorite of Dottie West that she wore various times and on TV appearances. This oversized jacket was the style in the 1980's and featured a bigger than life image of icon, Judy Garland. It was created and hand painted by pop designer, Robert Fisher, in bold colors and rhinestone encrusted. Dottie purchased this jacket on the Las Vegas Strip at the Caesar's Palace Shopping Mall. Fisher would also create wearable pop fashion for Madonna and Tina Turner. Not your typical fashion choice for a country music queen but Dottie marched to the beat of her own drum.

Sadly this would be the last outfit Dottie would wear for a public performance. This floor length gold jacket was made in Israel and sold in Lillie Rubin stores. While it looks like gold lame it is actually gold leather. This was a favorite stage piece for Dottie and she wore it various times on stage including her induction at the Nashville Star Walk of Fame in Nashville. Dottie would sport this flashy jacket one last time on September 2,1991, at the Buddy Killen's Stockyard Bullpen Lounge in Nashville, just three days before the tragic car accident that claimed her life.

A goregeous cinnamon/gold/copper sequined peasant lace-up top with sheer sleeves and matching knee-length skirt with sun spire design split up the front and back. Solid cinnamon-colored boots.

This leather Lillie Rubin gown with rhinestone and stencil accents was a staple of Dottie's career in the mid 1980's. She loved wearing it with or without the cape in concert because of Its dramatic appearance onstage, and actually had two Identical outfits to choose from. She also wore it on many Opry appearances during that period. As was the case with many of her stage clothes, she wore it so often that the linings become heavily stained with her stage cos-metics. Her personal assistant and friend Sandy Jeffries remembered: "I hated that outfit, because usually the next day I was the one who had to clean it by hand."

Seamstress Louise Crawford of Nashville custom made all of Dottie's early gingham dresses in the early 1970's, one in peach, green and blue. Often she would make the same style in various colours. Peach was one of Dottie's favourite colours. One of the other Crawford gingham dresses worn by Dottie is featured on the cover of her RCA album, "Have You Heard."

And later on, in keeping with her 'Country Sunshine' theme, sometimes these dresses featured embroidered floral accents like the one shown on the right.

This outfit Is from one of her favourite Nashville Green Hills boutique stores, Lillie Rubin. She wore this piece at various appearances in the 1980's. Dottie loved jump suits and they were a favourite wardrobe piece and she had several. This black leather one features rhinestones at the waistline. She wore this one most notably for an interview for the 1986 video documentary by Patsy Cline's family called "The Real Patsy Cline," filmed at her North Berry's Chapel mansion. Charlie Dick remembered that the morning they came to film Dotties interview, she kept them waiting forever and then emerged wearing this.

An Egyptian style white/bold sequined blouse with sheer billowing sleeves, sequined diamond accents on belt, white spandex pants and matching boots with diamond accents. This is believed to be Dottie's second costume made by Bob Mackie.

This purple mermaid dress was made by Suzy Creamcheese of Las Vegas, who also made many outfits for Elvis, Cher and other famous stars of the 1970's and 1980's. Dottie bought quite a lot from her and also had a blue version of the mermaid dress that she wore many times.

Among one of three of Dottie's most expensive Bob Mackie costumes, costing $6,000+, this outfit was versatile because it could be worn with the spandex pants and boots or with a full length ivory skirt for more formal occasions. An ivory jacket with peach/pink/silver sequined scattered floral accents, matching scalloped shell, peach spandex pants with floral accents and matching peach boots with floral accents. Option of solid ivory skirt. As with all of Dottie's Mackie costumes, the boots featuring a silver heel, were made by Pasquale DiFabriziol.

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Early 1980's stage outfit designed by Suzy Creamcheese and used for tours and an appearance on the 1982 CMA awards broadcast. Beautiful black top with matching skirt. Both pieces are made of black satin and encrusted with sequin and rhinestone trim. The jacket is tailored with a V neck and V shaped design trim cascading to the waist. This form fitting outfit was perfect for her new image as a country glamour queen. Interestingly, Dottie wore the blouse frontwards sometimes and backwards others. It's on display in the Willie Nelson Museum now. The skirt has been lost.

A yellow off-the-shoulder blouse with sunflower accents, scalloped sleeves and matching boots with sunflower tassels down the sides. Option of a solid yellow full length skirt or yellow spandex pants. Designed by Bob Mackie for Dottie.

A green/blue Bob Mackie off-the-shoulder blouse with scalloped edging around the neckline, waistline and empire sleeves. Option of a matching green scalloped knee length skirt or green spandex pants with solid leather dark blue green boots. As one of her earlier Mackie creations, it was among her favourites. Dottie wore this sometimes with denim jeans, the skirt designed to go with it or a completely different skirt or even the signature spandex pants Mackie included with his outfits for her. This was one of three off-the-shoulder designs that Bob made for her and certainly one of his most memorable given how many times she wore it.

All black, high-necked fitted bodice with narrow sleeves and a great deal of glimmering beadwork. Beneath it, the ankle-length skirt sported a confusion of pleats and still more beads.

Long sleeve white spangled silk top with gathered waist. Bejeweled with strains of silver and white beading that glistened in the spotlighting. Dottie would often wear this blouse with silver spandex pants and a matching belt on concert tours. A sexy new image as she shed her gingham dresses. The pants and boots were also worn on the back cover of her "Wild West" album with a white fringe sheer blouse she purchased at Giorgio in Beverly Hills and her gun holsters.

Another Bob Mackie creation for Dottie. A brown/gold sequined sheer long sleeve top with wheat accents, belt tassels, brown spandex pants and matching brown boots with wheat accents. The boots were also designed by Mackie but made on Rodeo drive by Pasquale DiFabrizio.

This silk suit is a custom piece by an unknown designer that Dottie wore at various times throughout the mid-late 1970's at various functions, including the Shenandoah Apple Blossom Festival in Patsy Cline's hometown of Winchester VA. It became a staple of Dottie's personal appearances in the mid-late 1970s. She attended as a guest celebrity along with Elizabeth Taylor and Tom Bosley. She also did a photo-shoot for "Country Music" magazine where she was actually the centrefold in the issue that had Charley Rich on the cover. Notably, this outfit was worn in the photo-shoot for the "Every Time Two Fools Collide" album with Kenny Rogers. Dottie can be seen wearing this without the hat on the album's back cover. The hat was obviously a favourite, as she occasionally wore it without the outfit, including during a photo session outside of Giorgio Beverly Hills in front of her tour bus.

Denim became one of Dottie's signature looks in the mid-70’s and this is a custom piece where Dottie has added floral appliques and later, rhinestone embellishments. It was one of her favourite pieces during that period. Though shown here with the halter top, which Michelle Lee wore in "Big Dreams and Broken Hearts: The Dottie West Story". Dottie normally wore a button-up blouse underneath for a more conservative look. Dottie wore it in concert through the mid-70’s, on "Grand Ole Opry" appearances, at the Winchester Apple Blossom Festival (where she was photographed with Liz Taylor) and for an appearance on "The Marty Robbins Show". Denim was one of Dottie’s signature styles during her career, as were calico, gingham, spandex and, of course, high designer fashion.

This top and neck tie piece was designed by one of Dottie’s favourite designers at the time, Halston. She first wore it when she started touring with Kenny Rogers but also wore it when appearing on the "Mike Douglas show". This zip-up jacket was also designed by Halston and worn by her on numerous occasions in the late 70’s.

This beautiful copper suit is believed to be a custom piece for Dottie and was worn many times on stage and in television appearances during the late 1980s. Dottie often paired this with her black digital fashion watch encrusted with aurora borealis rhinestones.

A turquoise/gold/copper cape with a sun spire design across the back and matching shell top. Tasseled rope belt. Solid turquoise spandex pants. Turquoise boots with sequin designs. Option of full-length skirt. The matching boots were made by Pasquale DiFabrizio whom Mackie had commissioned to produce all of Dottie's onstage footwear. Worn with Larry Gatlin at the 1981 ACM Awards, where he won for his album "Straight Ahead" Dottie and Barbi Benton presented. Exactly 15 years later, he broke down in tears at the sight of Michele Lee wearing this outfit in a scene with him in the "Big Dreams and Broken Hearts: The Dottie West Story" movie. As a variation, Dottie often substituted the cape and halter for a black velvet top with sequins on the shoulder area designed by Suzy Creamcheese with the pants, boots and belt in place of the sun cape and shell on the back cover of her "New Horizons" album and many times throughout her career.

Although not a stage piece, this is a Giorgio Beverly Hills sweater probably purchased on Rodeo Drive, Los Angeles (a favourite destination of Dottie's) in the late 1970's or early 1980's. Dottie is featured wearing it in a 1980 photo by Les Leverett reviewing a scrapbook that Patsy Cline gave to her only months before her death. Dottie was very involved in contributing to Ellis Nassour's biography, in which she wrote the foreword. “Honky Tonk Angel” is today considered as the definitive Cline biography.

Dottie always knew the best designer labels and Andre Van Pier was certainly one of the best. His pink satin blazer with yellow lining was a favourite of Dottie's in her final years. She usually wore this with her favourite acid wash jeans, blue camisole, fashion watch, and yellow leather sling back high heels or yellow Mackie boots. This jacket was worn by her on various "Grand Ole Opry", "Nashville Now" and "Crook & Chase" TV appearances, but was also the jacket she wore the day that her mansion was auctioned off on national television on the steps of the Williamson County Courthouse.

A fuchsia rhinestone cape and matching shell with fuchsia spandex pants with rhinestones and fuchsia Di Pahrizio boots. Option of a matching solid fuchsia full-length skirt. She rarely wore the skirt with this. The outfit was one of Dottie's favourite Bob Mackie creations for her, evidenced by the fact she wore it from 1979 until her passing. It's now in the collection of the Country Music Hall of Fame.

Around 1988 or 1989, Dottie sent daughter Shelly to Nashville to look for several dresses for her to wear on an upcoming trip to Los Angeles where she was going to film footage for Kenny Rogers’ upcoming tour. The video to be filmed would allow Dottie to be shown onstage with Kenny via a video screen to sing "All I Ever Need Is You" during his live concerts. Shelly brought back 3 dresses and this is the one she picked. Dottie wore it in the video for Kenny's tour, but also onstage from 1989 through 1991. This included a Bob Hope Charity Event in Texas in 1990 where she was photographed with Garth Brooks and Lulu Roman. She again wore it during a Country Music package show aboard a cruise ship to the Bahamas that included other Country Music celebrities. Made by Cache, it became one of her favourite pieces to wear in her final years.

Designed by Suzy Creamcheese, this white crochet prairie dress with a scoop neckline. It’s embellished with pink and green embroidered rosettes on the bust and chevrons on the bodice, flowing into a lace skirt. It is currently on display at the Heart Of Texas Country Music Museum

A white/silver sequin-encrusted jacket/blouse with long silver arm strands with ostrich feather ends. White sequined pants and matching boots with jagged "icicle" accents spilling out. This is probably her most favorite and most expensive Bob Mackie costume. Now housed in the permanent collection at the Country Music Hall of Fame.

This lace top that Dottie wore both with her white tuxedo on the "Circus of The Stars" and the "American Music Awards". She also wore it without the tuxedo. From 1982 until the end, Dottie wore many lace pieces like this one.

Dottie wore this stunning off-the-shoulder, royal blue heavily pleated floor-length satin dress over which a low-cut white lace bodice flowed. Narrow strips of lace connected a very wide white dripping lace border. At her waist, in front center, she wore a large white silk rose nestled in pleated lace for the “Academy of Country Music Awards” in 1983.

This one of a kind jacket was a favorite of Dottie West that she wore various times and on TV appearances. This oversized jacket was the style in the 1980's and featured a bigger than life image of icon, Judy Garland. It was created and hand painted by pop designer, Robert Fisher, in bold colors and rhinestone encrusted. Dottie purchased this jacket on the Las Vegas Strip at the Caesar's Palace Shopping Mall. Fisher would also create wearable pop fashion for Madonna and Tina Turner. Not your typical fashion choice for a country music queen but Dottie marched to the beat of her own drum.

Sadly this would be the last outfit Dottie would wear for a public performance. This floor length gold jacket was made in Israel and sold in Lillie Rubin stores. While it looks like gold lame it is actually gold leather. This was a favorite stage piece for Dottie and she wore it various times on stage including her induction at the Nashville Star Walk of Fame in Nashville. Dottie would sport this flashy jacket one last time on September 2,1991, at the Buddy Killen's Stockyard Bullpen Lounge in Nashville, just three days before the tragic car accident that claimed her life.

A goregeous cinnamon/gold/copper sequined peasant lace-up top with sheer sleeves and matching knee-length skirt with sun spire design split up the front and back. Solid cinnamon-colored boots.

This leather Lillie Rubin gown with rhinestone and stencil accents was a staple of Dottie's career in the mid 1980's. She loved wearing it with or without the cape in concert because of Its dramatic appearance onstage, and actually had two Identical outfits to choose from. She also wore it on many Opry appearances during that period. As was the case with many of her stage clothes, she wore it so often that the linings become heavily stained with her stage cos-metics. Her personal assistant and friend Sandy Jeffries remembered: "I hated that outfit, because usually the next day I was the one who had to clean it by hand."

Seamstress Louise Crawford of Nashville custom made all of Dottie's early gingham dresses in the early 1970's, one in peach, green and blue. Often she would make the same style in various colours. Peach was one of Dottie's favourite colours. One of the other Crawford gingham dresses worn by Dottie is featured on the cover of her RCA album, "Have You Heard."

And later on, in keeping with her 'Country Sunshine' theme, sometimes these dresses featured embroidered floral accents like the one shown on the right.

This outfit Is from one of her favourite Nashville Green Hills boutique stores, Lillie Rubin. She wore this piece at various appearances in the 1980's. Dottie loved jump suits and they were a favourite wardrobe piece and she had several. This black leather one features rhinestones at the waistline. She wore this one most notably for an interview for the 1986 video documentary by Patsy Cline's family called "The Real Patsy Cline," filmed at her North Berry's Chapel mansion. Charlie Dick remembered that the morning they came to film Dotties interview, she kept them waiting forever and then emerged wearing this.

An Egyptian style white/bold sequined blouse with sheer billowing sleeves, sequined diamond accents on belt, white spandex pants and matching boots with diamond accents. This is believed to be Dottie's second costume made by Bob Mackie.

This purple mermaid dress was made by Suzy Creamcheese of Las Vegas, who also made many outfits for Elvis, Cher and other famous stars of the 1970's and 1980's. Dottie bought quite a lot from her and also had a blue version of the mermaid dress that she wore many times.

Dottie's white fashion watch adomed with aurora borealis stones. Worn in the late 1980s onstage and in interviews, she owned many others in different colours but she particularly wore another in black.

Though she wore high heels, and stage boots often, she loved her cowboy boots. These rhinestone studded classy ivory leather boots designed by Neiman Marcus were worn by Dottie many times throughout the 1960's.

One of Dottie's favourite pair of boots was this red canvas pair with fringe up with the back by Arlene LMarca. She wore these many times in the late 1980's and into the 1990's with either her red Mackie top or her red fringe suede blouse.

Dottie had great taste in shoes, these rhinestone heels are no exception. Dottie wore these onstage but also in private. As friend Lynn Anderson said, "She once gave me the sexiest pair of shoes I ever saw. They were clear Lucite high heels, with a clear plastic strap across the instep that held a single pink rose made out of leather. They were great."

Dottie wore this glamour cowgirl hat on her April of 1983 appearance on the popular television sitcom, "The Love Boat."

Dottie's white fashion watch adomed with aurora borealis stones. Worn in the late 1980s onstage and in interviews, she owned many others in different colours but she particularly wore another in black.

Though she wore high heels, and stage boots often, she loved her cowboy boots. These rhinestone studded classy ivory leather boots designed by Neiman Marcus were worn by Dottie many times throughout the 1960's.

One of Dottie's favourite pair of boots was this red canvas pair with fringe up with the back by Arlene LMarca. She wore these many times in the late 1980's and into the 1990's with either her red Mackie top or her red fringe suede blouse.

Dottie had great taste in shoes, these rhinestone heels are no exception. Dottie wore these onstage but also in private. As friend Lynn Anderson said, "She once gave me the sexiest pair of shoes I ever saw. They were clear Lucite high heels, with a clear plastic strap across the instep that held a single pink rose made out of leather. They were great."

Dottie wore this glamour cowgirl hat on her April of 1983 appearance on the popular television sitcom, "The Love Boat."

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